Bob Maron Watch Dealer to the stars!

Bob Maron Watch Dealer to the stars!

Interesting article about Bob Maron from business week!

Bob Maron on Twitter!

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Check out Bob Maron on Twitter!

Corporate Web-Site!

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Check out our Corporate site for the best of Important Wrist Watches by Bob Maron!

Bob Maron on E-Bay!

Bob Maron on E-Bay!

Check out the latest and greatest Important Wrist Watches from Robert Maron on Ebay!

Harry Winston Opus XIII

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You were waiting for this one, and here it is:  Harry Winston Opus XIII.  And yes, it is as crazy as it looks.  The Opus XIII has only one thing in common with any other watch and that is its balance and escapement; the rest of the mechanism is the brainchild of independent watchmaker Ludovic Ballouard.  Honestly it is next to impossible to understand this watch just by looking at it — be sure to watch the video below to help you out.

Opus XIII once again defies the conventional rules of watchmaking. Fifty-nine pivoting minutes hands, eleven rotating triangles for the hours, and a sliding trapdoor perform a magic show where minutes and hours appear or vanish instantly — and, of course, tell the time.  Harry Winston believes nothing in watchmaking is beyond human ingenuity, and Opus XIII invariably proves it right.

Harry Winston Opus XIII

in collaboration with Ludovic Ballouard

Limited Edition 130 Pieces

44.25mm x 13.6mm white gold case.

Instantaneous hours and minutes; Cumulative display of minutes via a peripheral, jumping retrograde system with fifty-nine hands; Successive display of hours via a peripheral, jumping system with eleven hands; Sliding shutter revealing the “HW” logo every twelve hours.

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Minutes accumulate around a track, each five minutes in red, withdrawing in unison when they complete the circle of the hour. Silver triangles spring in turn from a faceted dome to show the hours, rotating back when their duty’s done. Every twelve hours, Harry Winston’s logo is revealed on the dial, only to vanish sixty minutes later.

The fifty-nine minutes hands pivot on a ring of as many steel shafts, each held between two ruby bearings, bringing the number of jewels in the timepiece to 242. No other timepiece ever made has as many functional jewels. The ruby ball bearings for the sliding shutter are so tiny that the package had to be opened in a non-static environment lest they fly off.

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Beneath a smoked sapphire crystal you catch a glimpse of what looks like the fan of a jet engine. This is an extraordinary component, comprising fifty-nine jumper springs — one for each minutes hand — carved from a single piece of steel using LIGA technology (lithography, electroplating and molding).

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How It Works

The display is produced by two separate power sources working as a team. One mainspring barrel drives the escapement through the going train and keeps the balance swinging at a steady 21’600 vibrations an hour. The other barrel provides the energy for the display of minutes, triggered every 60 seconds by the center wheel of the going train.

The key element is an outer minutes ring driven by the second barrel. Every minute, it jumps forward a step, released then locked by a rocking lever with two pallet stones, controlled by a cam working off the center wheel. A peg on the advancing ring flips each minutes hand forty degrees in turn, revealing them in succession around the dial. At the end of the 59th minute, a second outer ring comes into play, its crenelated rim simultaneously rotating the fifty-nine minutes hands back into their hiding places.

The mechanism for the hours is no less ingenious. Here again it relies on an outer ring that jumps forward every sixty minutes, turning the triangle of the old hour 180° so that it disappears beneath the faceted dome on the dial, and simultaneously turning up the next hour. At the heart of this mechanism is a snail cam that rotates once an hour. A lever drops off the edge of the cam, pulling a rack to turn a pinion that advances the hours ring. At the 12th hour, instead of turning up a triangular hour hand, the hours ring rotates a wheel attached to a connecting rod that pulls open a sliding shutter to reveal the Harry Winston logo in the center of the faceted dome.

Both mainspring barrels are wound by turning the crown back and forth. A rocking pinion engages the barrel for the going train when the crown is turned in one direction and shifts over to engage the other barrel when the crown is turned in the opposite direction. Similarly, when setting the time, the crown is pulled out and turned one way to advance the minutes and the other to advance the hours.

All of this packaged in a modest 44.25mm x 13.6mm white gold case, Harry Winston style.

Christophe Claret Kantharos

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Master watchmaker to the stars-turned-independent Christophe Claret is unveilling his new Kantharos, a mono-pusher automatic chronograph with sonnerie/striking mechanism and constant force escapement.  A cathedral gong, visible at 10 o’clock, audibly chimes with each change of function (e.g. start, stop, reset), which I believe is a first.  The concept is entirely in line with Christophe Claret, who has repeatedly distinguished himself with innovative striking mechanisms featuring cathedral gongs.

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The Kantharos constant-force escapement is visible on the dial side at the 6 o’clock position.   The chrono counters are reportedly inspired by the aviation altitude indicator, but for me they seem a bit overcomplicated.   This watch seems to exude the attitude that it is complicated for complicated’s sake; some may like this, many will not.

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Go to http://www.christopheclaret.com/en/collection-kantharos-c10.php for full technical details and discussion.

Urwerk UR-202 Baguette

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Must say this one goes well in a baguette-set.  There are even diamonds on the satellites.  Time on the UR-202 is displayed using telescopic minute hands operating through the middle of three orbiting and revolving hour satellites.   The UR-202 is also the first to feature an innovative new winding system regulated utilizing miniature, adjustable turbines which are coupled with the rotor to absorb shock and reduce wear.  Check them out at http://www.urwerk.com/

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Blancpain Fifty Fathoms Bathyscaphe

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Celebrating the 60th anniversary of the first diving piece, Blancpain this year presents the new Fifty Fathoms Bathyscaph.  Created in 1953, the Fifty Fathoms by Blancpain has become among the most famous diver’s watches.  The vintage-inspired Fifty Fathoms Bathyscaphe presented in a 2013 includes men’s and women’s versions.  This is a very distinct and great looking watch, with some excellent strap pairings, and a ceramic bezel with graduated scale in Liquidmetal® (a high-tech metal that first popped up in the Omega SMPO in 2009, but has also been used in Breguet and now Blancpain — all Swatch Group brands).

Inspired by the abyssal underwater exploration of Swiss adventurer Jacques Piccard, Blancpain’s Bathyscaphe diver’s watches were introduced in the late 1950s as models for both men and women.   The new Fifty Fathoms Bathyscaphe offers a reinterpretation of these two models featuring the integration of the latest technical innovations.

Various elements of the 2013 version hark back to the first editions.  Blancpain notes that the contours are as sharply defined as those of their predecessors, and the hands feature the traditional look of the vintage watches and the date appears through a dedicated aperture.  Also, loyal to the original Bathyscaphe version, there is a luminescent bezel dot, a key feature on any respectable diver.

Blancpain Fifty Fathoms Bathyscaphe

43mm x 13.4mm satin brushed steel case, unidirectional rotating bezel, water resistant to 300 meters.  Each model includes a triple-loop NATO strap.

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Richard Mille RM 52-01 Nanoceramic Skull Tourbillon

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The RM 52-01 Skull is is the second piece in the Skull collection, and features the skull design that embodies Richard Mille’s anti-conformist spirit.

This model stands out both for its choice of materials and the way it has been crafted. The RM 52-01 Skull has a manual winding tourbillon caliber built on a baseplate in PVD-treated titanium, much like the original RM 52.

But the skull and back of the skull are now sculpted from 5N red gold and are hand-bevelled — giving the skull a much more distinctive presence.

For the case, Richard Mille introduces a composite nano-ceramic material known as TZP, used for the RM 52-01′s bezel and case back (finished with microblasting and hand-polishing on the corners).

The RM 52-01 is released as a limited edition of 30 timepieces.

 

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